Zadie Smith (born October 1975) is a British short story writer, poet, essayist and novelist who grew up in Willesden Green, a working-class area in the north-west of London. As of 2013, she has published five novels, her most recent a multifaceted story of London, NW (2012), Fail Better (2006), On Beauty (2005), The Autograph Man (2002) and her debut novel White Teeth (2000), all of which have received substantial critical praise.
White Teeth is a brilliant, vividly written, deeply hilarious, rambunctious story about two eccentric, multi-culti families in North West London. It presents characters of varying (and sometimes mixed) classes, races and ethnic groups all thinking of themselves that they have truth in custody. Smith says she sees similarities in some of her character’s behaviour compared to her own, considering that she was born into an interracial family (her father is English and her mother is a Jamaican immigrant).
Although White Teeth is obviously about multiculturalism in Britain, the novel fulfilled the vast hopes and checklists of not only British readers, but also American readers. So much so that fans and critics alike barely saw any point in trotting any further into the decade to find a generational star. Smith was almost instantly crowned contemporary fiction champion and the future of literature when she released the book. Some critics said she had pulled off in writing the novel what even exceptionally gifted writers couldn't pull off at age 80 let alone at the mare age of 22 and still a student at Cambridge.
Never one to be told what to think or do, Smith has continued to work on her development unfazed by her growing status in the literary world. In recent years, she has become an astute public intellectual and cultural critic, publishing essays on diverse topics like the state of the realist novel, the merit of David Foster Wallace's fiction, the fate of Willesden Green Library Centre and the problem with Facebook.
In an interview on an episode of the BBC’s Desert Island Discs, Smith did not mince her words when condemning the media’s ‘ridiculous’ obsession with her looks and the implicit and ‘sinister’ suggestion that a beautiful woman cannot achieve literary greatness. She cited Sylvia Plath as an example of a beautiful female author who had succeeded in the craft before addressing what she considers ‘sinister’ sexist attitudes:
“Some of it (obsession with her looks) is just ridiculous. A friend was telling me that in an Italian newspaper they had an editorial letter about how I was probably quite a good writer."
“But I couldn’t possibly be a great writer because, in their opinion, I was too attractive and when you thought about writers those things never went together.”
“I'm not too beautiful to be an author,” she concluded emphatically.
At least, The Guardian agrees with some of her thoughts. As part of a series for writers featuring some of today’s most esteemed contemporary authors, the newspaper reached out to her for any rules she brings to the writing practice. Here are 10 golden rules from Ms Smith for writers.
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